'what are you doing at a museum?'
This is very American. Our purported populism has always made us wary of those claiming, by virtue of their position or education, to know better than everyone else. One thing that’s changed, though, is that this populism, often disguised as the heady skepticism of continental theory, has managed to sneak into the very bastion of elitism, into the places where the aspiring intellectual first learns how to be a pompous snob: academic humanities departments. The institutionalization of deconstruction, identity politics, and Marxist criticism, in other words, has replaced the pious attitudes of previous eras with a different set of now-habitual postures: distrust of the canon and the institutions that preserve it. Whatever their merits, these frameworks have created enough ambivalence to make art appreciation a vexing enterprise for a generation of well-educated museumgoers. Because if you don’t believe in high culture, then what are you doing at a museum?
Timothy Aubry writes in Paper Monument about the strange identity crisis you can suffer by visiting a museum when you're a vaguely neurotic liberal arts person--like me, and maybe you.